Drawings presented for the 10th edition of DRAWING NOW PARIS | LE SALON DU DESSIN CONTEMPORAIN held from Wednesday, March 30th to Sunday, April 3rd, 2016, at the Carreau du Temple.
On the occasion of it's 10th anniversary, La maison rouge has shown the Antoine de Galbert 's collection from June 14th to September 21st, 2014. The exhibition Le Mur is the 11th chapter of series of exhibitions dedicated to privaite collections. Here is a link to the exhibition's website : http://www.lamaisonrouge.org/cgi?usr=92yuqd9cu6&lg=fr&pag=2334&tab=108&rec=45&frm=0&id=3872&flux=7187970 You could also watch this interview of me explaining my works in the exhibition:
Photos from my first solo exhibition in Tehran, IRAN Opening of the Exhibition Friday, February 28th 2014 AARAN ART GALLERY Here is a link to the animation presented at the exhibition : Ecliptic Lunacy, Animation HD, video in loop, 2014 Directed and animated by Elika HEDAYAT Music by Pouya Pour Amin Ecliptic Lunacy : https://vimeo.com/100691618
Performances in the frame of Høstutstillingen at Kunstnernes hus - Oslo - 14th to 29th of September 2013 impure company is supported by the Ministry of foreign affairs and The Norwegian Council for cultural affairs Choreography : Hooman Sharifi Performers : Rikke Baewert, Loan Ha, Ida Gudbrandsen, Matthew William Smith Visual artist : Elika Hedayat Photographs : Arash A.Nejad Artistic coordinator : Valerie Lanciaux Video edition : Sima Khatami Watch the video here : http://vimeo.com/78959897
I was invited to collaborate with Impure Company on this performance during three days for the Modul-dance Festival, Hellerau Dresden, Germany Concept and Choreography : Hooman Sharifi Performers : Ida Gudbrandsen, Loan Ha and Matthew William Smith Visual Artist : Elika Hedayat
I've done this wall painting for a group show at Aline Vidal Gallery from 10th May to 23th of June 2012. This is the last Aline Vidal's exhibiton before leaving her local for a new place. this final event consists in 13 artists’ works with a common aim at accepting and supporting their mural status. No canvas and stuffs, no screw or nail, the exhibition lives in the premises and results in a frontal dialogue.